ABSTRACT by Jamie Usas
In 1916 the macrocosmic tensions of global conflict became focused on the microcosm of Berlin, Ontario. The nationalistic turmoil of the First World War incited a series of destructive events resulting in a schism within the flourishing industrial community and pitting ethnic Germans against the loyalist British. The outcome of this internal conflict would see one identity forfeited for another, the name Berlin for that of Kitchener.
Over the next century, Kitchener’s downtown succumbed to a series of massive urban fires perforating the dense fabric of the city with echoing voids of collective amnesia.
The historic fires of Berlin/Kitchener are the backdrop of the thesis, with two sites (the Foundation & Schneider’s Creek) forming the stage upon which a shamanic transformation is enacted through an intuitive assembly of historical narrative, photography, archival film, newspaper articles and psychogeographical research, illuminating a liminal plane of personal and collective memories.
Poetically inspired by the late Andrei Tarkovsky’s STALKER, the likenesses of the film’s primary characters have been composited into a series of montage images that stand-in for the author’s perspective while describing a mythic journey through the investigated sites, further blurring the boundary between history and memory, fact and fiction.
Summoned by The Call, the Wanderer leaves the common world and travels into the bowels of the city, a fantastic subterranean underworld of shape-shifting humans, shadow figures and mythical beings. Like the stalker of Tarkovsky’s film, the Wanderer must navigate a shifting labyrinth of matter and memory to reach his final destination and reconcile with the fires of history. Only by answering memory’s “call” can the Wanderer be reborn from the canal of the World Womb.
Part visual essay and part film treatment, ANIMA ÜRBEM is an imagistic/textual document narrating a hallucinogenic unfolding of occurrences throughout the history of Berlin/Kitchener, the personal experiences of the author and a poetic refrain within the memory weave, original film House of the Gathering.
Supervisor:
Dereck Revington, University of Waterloo
Committee Members:
Donald McKay, University of Waterloo
Dr. Robert Jan Van Pelt, University of Waterloo
External Reader:
David Lieberman, University of Toronto
The defence examination will take place: Thursday, June 26, 2014 9:30AM ARC 1001 Main Lecture Theatre
I am a graduate student at the University of Waterloo School of Architecture, currently completing my MArch thesis on the design and collective memory of Indian residential schools in Canada.
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