bicycle factory
a post-post-Fordist urban intervention
Sonia Yuan
Cities were once filled with bicycles and factories—urban typologies now regarded as anachronistic elements of the landscape, as their relationship to the built environment evolved throughout the Industrial Revolution, Fordism, and post-Fordism. The 20-century city was largely shaped by the automobile, which quickly displaced the human-powered mode of transportation. Meanwhile, spaces of production once spatially situated within their local markets were pushed further and further from the urban core, until offshored entirely to the developing world. These transformations have also left scars in the cities of advance economies, as 19th-century railways and other industrial remnants now impede on the human scale of urban life.
Today, after decades of aggressive industrialization, environmental sustainability has reached a point of global crisis. The bicycle and the factory, as artifacts that have endured the test of time, are summoned to help foster a sustainable, contemporary city. The thesis seeks to re-establish their relevance in the built environment, by reintegrating light manufacturing activity back into the urban fabric, and proliferating the bicycle as a self-mobility machine for everyday transportation.
An ideal ‘post-post-Fordist’ society is thus proposed, defined as [good] Fordism + [good] post-Fordism + counter-culture trends + novel ideas. The post-post-Fordist city is envisioned as a dense, heterogeneous construct, while its post-post-Fordist urban intervention is presented as a bicycle factory in the city of Toronto. The architectural design acts as a catalyst to proliferate the bicycle and its infrastructure across the urban landscape, in the same way Ford’s mass production of automobiles sculpted the modern city. It also spatially reconnects producers, workers, and consumers within a more cyclical, local economy.
As a microcosm of the post-post-Fordist metropolis, the building is a complex, interweaving, layered assembly, consisting of a hybrid typology of factory, pedestrian & cycling bridge, urban park, velodrome, and bike park. The bridges physically re-connect portions of Toronto’s urban fabric torn apart by railways, while the architecture figuratively bridges between the project’s urban scale (cycling masterplan), and its object scale (commuter bicycle commodity). The factory’s transparent manufacturing process and democratic organization of labour are also composite systems, consisting of Fordist mass production and post-Fordist mass customization, while employing skilled and semi-skilled labour as a worker & consumer co-operative. The intervention embodies the bicycle’s construction, movement, and social qualities in its tectonics, while enabling cycling infrastructure to permeate into the building. In this way, the proposal endeavours to lift us out of the industrial exploitation of the last century, while providing a relief from contemporary society’s over-saturation of digital technology, to return the machine to its rightful place as an intuitive extension of our bodies.
Supervisor:
Adrian Blackwell, University of Waterloo
Committee Members:
Scott Sorli, University of Waterloo
Drew Sinclair, SvN
External Reader:
Marty Kohn, Kohn Shnier Architects
The Defence Examination will take place:
Thursday May 12, 2016 at 4:30 pm in the Loft Gallery
A copy of the thesis is available for perusal in ARC 2106A.
Sneha Sumanth is a graduate student at the University of Waterloo School of Architecture. Her role in BRIDGE involves overseeing the website and publications. Her thesis work looks at the relationship of energy and architecture in the offshore infrastructure of the Santa Barbara Channel in California.
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